Lyrics

Well, huh. I think I'm going to take Hachi's off-hand comment on Twitter about his goal of drawing Riding Hoodie to be "fairytale-y [and] sexually charming" and pretty much run with that. (Okay, well, it's not like that's the only thing I have to go off of.)

The "message [Miku's] thought about much too much" is probably related to admission of love or proposal - she has nobody to give it to at the moment, though she's "always" been trying to get the chance, it seems.

I get the sense that "before we drop to just one" isn't talking about a couple of "two" turning to "one." Rather, it has to do with taking away layers, matryoshka style. Miku wants to know all her partner's layers, to "deep down," but is worried because a) what will she find? b) she'll probably have to show her deepest layers too, or - probably most likely - c) getting "deep down" will involve sex.

(Given all the layer symbolism, it's probably worth nothing that Miku and Gumi are pretty bundled up. Not sure if you can make much of Miku's 'phones, though.)

Gumi (possibly a part/layer of Miku, or a representation of her peers) starts pressuring Miku to "rendezvous" with her partner, wink wink, nudge nudge. Her Little Red Riding Hood + wolf design is pretty appropriate for this role. (Nico suggested the more innocuous answer of "rendezvous" simply meaning "date," but I'd definitely say things are more serious than being too shy to ask him on a date. Unless that date leads to an "adventure," of course...)

The hands staying at 4 is likely related to Miku's being unable to "truly" mature until she can overcome the obstacle of sexual intimacy. (Or at least, Gumi would have her believe that makes her mature.) "Dancing" either refers to continuing the relationship sans passion or the act of "dancing around" the issue of sex itself. Which are kinda one and the same, I suppose.

Miku eventually seems to be swayed by Gumi and asks her partner if they should "do more fantastic things," but he tells her to "wait." You can be the judge of whether or not she ends up listening to him, though. Smooch, smooch.

524 can be read "Konishi." Which could refer to composer Yasuharu Konishi (who calls his record label 524), Saki Konishi from Persona 4 (you know, true selves and all that? Eh?), or Mitsuki Konishi from The World Ends With You. Cough.

This theory is certainly clever, at least: 524 skips over 1 and 3. There's "no 13." Read that Japanese-style, and there's "no imi." Translate that word, and there's "no meaning." (That mostly supports Nicopedia's theory that Hachi is basically trolling them for trying to interpret his songs.)

Looking at it from a more English angle (which is decently probable considering it's sung that way), it could mean "five TO four," signifying that Miku is trying to take the relationship to "five," but the hands keep going back to four, as was previously stated.