Lyrics
Romanji Settings
 (Currently o)
				 (Currently e)
				 (Currently ja)
				 (Currently off)
Sort Type
				
				
				
Lyrics Layout
				
(Hide) (Show)
花束と水葬
「もういいよ」 返事は無い
						惑う星も見えなくなって
						肌を刺す冷たさに
						灯台守と目が合って
今は一人 ここでひとり
						暝目に全部預けて来た
						見たくないわ
ねえ神様
						私の事
						殺して お願い
						明日に なる前に
						ここから先
						何も無い
						私とよく似てる
						ただの根 枯れた根
今は一人 ここでひとり
						排水溝に流れてく髪が
						渦を巻いた
明日になれ
						天気になれ
						そしたら 笑い合える
						一緒に 歌おうね
						冷たい床
						眠れないわ
						揺らめく水底
						一人じゃ寂しい
ねえ神様
						私の事
						殺して お願い
						明日に なる前に
						この上のない愛で私の
						形も 歪む色も
						葬り 消してよ
(Hide) (Show)
Hanataba to Suisou
"Mou ii yo" henji wa nai
						Madou hoshi mo mienaku natte
						Hada o sasu tsumetasa ni
						Toudaimori to me ga atte
Ima wa hitori koko de hitori
						Meimoku ni zenbu azukete kita
						Mitakunai wa
Nee kamisama
						Watashi no koto
						Koroshite onegai
						Ashita ni naru mae ni
						Koko kara saki
						Nanimo nai
						Watashi to yoku niteru
						Tada no ne kareta ne
Ima wa hitori koko de hitori
						Haisuikou ni nagareteku kami ga
						Uzu o maita
Ashita ni nare
						Tenki ni nare
						Soshitara warai aeru
						Issho ni utaou ne
						Tsumetai yuka
						Nemurenai wa
						Yurameku minasoko
						Hitori ja samishii
Nee kamisama
						Watashi no koto
						Koroshite onegai
						Ashita ni naru mae ni
						Kono ue no nai ai de watashi no
						Katachi mo yagamu iro mo
						Houmuri keshite yo
(Hide) (Show)
Bouquet and Burial at Sea
"I've had enough"; no replies come
						Even the puzzling stars, I can no longer see
						With a coldness that seems to pierce the skin,
						The keeper of the lighthouse stares
Now, I'm alone; here, I'm all alone
						With a closing of eyes, everything has come and gone,
						And I don't want to see...
Hey, God, listen...
						Do this of me...
						Kill me, I beg you,
						Before tomorrow comes...
						From here on,
						There's nothing left
						So much it resembles me:
						Just a root, a withered root...
Now, I'm alone; here, I'm all alone
						Hair flowing away into a drain,
						Winded around in a spiral...
Tomorrow comes,
						The weather comes,
						And then, as we laugh...
						Yes, we shall sing together
						On this freezing floor,
						I cannot sleep
						In these swaying ocean depths,
						I'm all alone, I'm so lonely
Hey, God, listen...
						Do this of me...
						Kill me, I beg you,
						Before tomorrow comes...
						With this unsurpassed* love, take me,
						My shape, my distorted colors,
						And bury them, erase them...
* This literally translates as "no higher," so I suppose it's fine to make it "unsurpassed," but in the context of "the bottom of the sea," it could have a more important meaning. It's about Ecila. Hachi has made this evident enough that you don't even need lyrics to know this. First of all, the lighthouse in the first verse. (Though if she's really alone, does that mean she's the lighthouse keeper?) Persona Alice itself plays backwards around the middle. To be specific, the original "Hello! Hello! I've been waiting!" part, the "bell on a balloon" part, and the "backwards" lines mixed together. Also, she appears to be at the bottom of the sea (which the title implies too, of course). And while it was happening to Alice before, "shape" and "colors" being "distorted" is certainly familiar. On a less obvious level, Ecila may very well be Langge, the surviving twin of Dear Rangge. The jacket seems to portray Alice with Rangge-style machine-wings, after all. In the pre-chorus verse, there's a heartbeat sound, and the heart was a pretty important deal in Rangge. Since she was with Rangge for her whole life, it would make a good deal of sense that she'd want to be with Alice, as they apparently look quite similar minus the machine-wings. Also, two lines were changed in the new Persona Alice. (Yes, I think Hachi pulled a retcon.) While nobody seems to have the lines transcribed, here's what I think it is: "Hello! Hello! Don't you remember?" Does Langge think Alice is Rangge...?
						** CLICK FOR PRETENTIOUS! ANALYSIS