OSTER project's Twitter
Translations of tweets from @fuwacina. For an archive of other Vocaloid-related Twitters I no longer keep up with, go here.
March 17th, 2021
No buts about it, this is way too sexy. #Dominowns
This sax has such a Sensual Sax feeling...
Don't make an already sexy song even sexier.
Such a good song I'm laughing. #Dominowns
Just started sequencing Baka Mitai just to have Tesro-sama sing it. (like a fool) ["baka mitai" = "like a fool"]
In the background of the Baka Mitai Tesro-sama cover, I want to put an image of Tesro-sama falling face-first into a bowl of ramen. (???)
I wanna see Tesro-sama singing Baka Mitai so bad...
I wanna have Tesro-sama cover Baka Mitai...
With wealth, I could probably get wings and prestige (I say, being absolutely dreamless)
If it were wealth, prestige, or wings, I'd want wealth.
I've gotten a mysterious phone call where someone used a voice changer to become a dark lord and just introduced me to local products, and honestly, it was super fun.
A state where the state of being myself and the state of being Tesro and the state of being Roset-chan are overlapping.
The concept of Vtubers has a really good balance of being yourself while not being you. It reminds me of when I started making songs with Miku-chan.
I can control cells numbering in the trillions by my own will, so I'm amazing.
All humanity except me is so amazing it makes me lose confidence, but I'm pretty amazing too, so let's have confidence.
The bass is moving a ton, but it's sticking to the roots, so it's totally proper.
I want to make a nice-sounding bassline that totally ignores roots, but that usually wrecks the song, so it's hard.
Once you liberate yourself from the concept of "roots," bass can show its true value as a melody instrument.
I catch myself thinking that my basslines are totally still normal since I'm at least keeping to the roots...
Phoenix Wright: "Despite it being Wednesday, the witness was under the impression that it was Friday... Why? Because she happened to see this...
A tweet saying "Twinkle Testicles Friday"!! (music change)"
Every time someone shows up to say my songs saved them, it's unquestionably me who's being saved.
Condensed anguish saves people.
I saved a life.
RT @q07a_ [Hatsune Miku] Marginal [Original Song]
If this song hadn't existed in the world, I'm not sure if I'd be alive right now. (?)
I'm a baby, so I can't process all the numerous feelings within me and express them through words. :baby:
50,000 yen for each child?! Goo-goo-ga-ga... :baby:
I know there are also people who do want positive words when they're depressed, so it entirely comes down to personal differences, but personally, I'm just unable to accept words with too large a gap in feeling and warmth.
The Hope-and-Despair Kingdom, Tokyo Tesrosetland.
This.
I wanna create things brimming with hope and despair...
I feel like once you find that resonance, then you might be able to switch over to feeling like "I'll move forward."
Even when music isn't just brimming with hopes and dreams, and is more like dissatisfaction and anxieties condensed to the highest purity and spat out, I think that also has its share of people who resonate with and are saved by it.
In the end, positive words sort of only resonate with people who are able to have that feeling of "I'll move forward." It's like telling someone with broken bones "you should exercise."
I've had nights where I got irritated by the lyrics "it's all right" and "do your best" ←Same [Lyrics from Official HIGE DANdism's "Destiny."]
Listened to Love Prison for the first time in a while, and I'm like "who wrote such cruel lyrics?"